TY - CONF
T1 - ‘Walk Eight Times to the Green Heart’: Creating Identity Through the Writing of Poetry During Cardiac Rehabilitation
AU - Bayfield, Roy
N1 - Bayfield, R. (2010) Bypass pilgrim. Liverpool: trans-genre-books.
Frank, A. W. (1995) The wounded storyteller: body, illness and ethics. Chicago: The University of Chicago Press.
Holstein, J. A. and Gubrium, J. F. (2000) The self we live by : narrative identity in a postmodern world. Oxford: Oxford University Press.
McAdams, D. P. (1993) The stories we live by: personal myths and the making of the self. New York: The Guildford Press.
PY - 2011
Y1 - 2011
N2 - Following coronary artery bypass surgery, the author undertook a sustained practice of poetry writing during the recovery and rehabilitation period, leading to the production of a book (Bayfield, 2010). Critical reflection on the process, with reference to concepts of narrative identity (eg Holstein and Gubrium, 2000; McAdams 1993) and writing as healing (eg Frank, 1995) leads to a definition of poetry writing in rehabilitation as a form of radical subjectivity. The poster illustrates the ways in which the self-narrative created through poetry is situated amongst, and interacts with, a number of other narratives including those produced by medical organisations, employers, family, patients, ‘survivors’, culture and the media. Grounded in an experiential account of poetry-writing within the context of a patient journey, the poster suggests ways in which poetry can help to demarcate personal space and create, or recreate, identity during the upheaval of life-threatening illness, major surgery and associated treatment.
AB - Following coronary artery bypass surgery, the author undertook a sustained practice of poetry writing during the recovery and rehabilitation period, leading to the production of a book (Bayfield, 2010). Critical reflection on the process, with reference to concepts of narrative identity (eg Holstein and Gubrium, 2000; McAdams 1993) and writing as healing (eg Frank, 1995) leads to a definition of poetry writing in rehabilitation as a form of radical subjectivity. The poster illustrates the ways in which the self-narrative created through poetry is situated amongst, and interacts with, a number of other narratives including those produced by medical organisations, employers, family, patients, ‘survivors’, culture and the media. Grounded in an experiential account of poetry-writing within the context of a patient journey, the poster suggests ways in which poetry can help to demarcate personal space and create, or recreate, identity during the upheaval of life-threatening illness, major surgery and associated treatment.
KW - poetry
KW - surgery
KW - rehabilitation
M3 - Poster
T2 - International Symposium on Poetry and Medicine
Y2 - 7 May 2011
ER -