An analysis of the two film adaptations of Lolita, and the ways I which they provide differing and different phenomenological opportunities for the viewer both from the novel (of course) but also from each other.
|Title of host publication||Incest in Contemporary Literature|
|Place of Publication||Manchester|
|Publisher||Manchester University Press|
|Pages||97 - 116|
|Number of pages||19|
|Publication status||Published - 10 Aug 2018|