Abstract
This article discusses Niall Brady and Steve Fanagan's post-production sound work on Room (Abrahamson 2015), focusing on their working methods and collaborative approach with each other, director Lenny Abrahamson and editor Nathan Nugent. The film takes a striking approach to post-production sound design, relying heavily on sound to build a credible narrative world, despite the first half of the film being set in an extremely confined and soundproofed space.
| Original language | English |
|---|---|
| Pages (from-to) | 159-169 |
| Journal | The New Soundtrack |
| Volume | 6 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 30 Aug 2016 |
Keywords
- sound design
- sound post-production
- sound practice
- Irish film industry
- silence
- Room
- Lenny Abrahamson
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