Abstract
This article discusses Niall Brady and Steve Fanagan's post-production sound work on Room (Abrahamson 2015), focusing on their working methods and collaborative approach with each other, director Lenny Abrahamson and editor Nathan Nugent. The film takes a striking approach to post-production sound design, relying heavily on sound to build a credible narrative world, despite the first half of the film being set in an extremely confined and soundproofed space.
Original language | English |
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Pages (from-to) | 159-169 |
Journal | The New Soundtrack |
Volume | 6 |
Issue number | 2 |
DOIs | |
Publication status | Published - 30 Aug 2016 |
Keywords
- sound design
- sound post-production
- sound practice
- Irish film industry
- silence
- Room
- Lenny Abrahamson