The Best Way to Locate a Purpose in Sport: In Defence of a Distinction for Aesthetics?

Leon Culbertson, Graham McFee

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Abstract

The paper highlights the centrality of some concepts from philosophy of sport for philosophical aesthetics. Once Best (BJA, 1974) conclusively answered negatively the fundamental question, ‘Can any sport form be an artform’, what further issues remained at the intersection of these parts of philosophy? Recent work revitalizing this interface, especially Mumford’s Watching Sport (2012), contested Best’s fundamental distinction between purposive and aesthetic sports, and insisted that purist viewers are taking an aesthetic interest in sporting events. Here, we defend Best’s conception against considerations Mumford hoped would bring the aesthetics of art and sport closer together, thereby elaborating the aesthetics of sport. But, against Mumford’s resolutely psychological conception of an aim, we follow Best to defend the centrality, for purposive sports, of the means/ends contrast remains, even when taking an aesthetic interest in such sports. We conclude with general speculations about the potential future of the discussions originated here.
Original languageEnglish
Pages (from-to)191-213
JournalAesthetic Investigations
Volume1
Issue number2
Early online date20 Dec 2016
Publication statusE-pub ahead of print - 20 Dec 2016

Keywords

  • aesthetics
  • David Best
  • sport
  • Stephen Mumford

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  • Research Output

    Meaning and Use: Drama and the Aesthetic

    CULBERTSON, LEON., 2020, In : Sport, Ethics and Philosophy. 22 p.

    Research output: Contribution to journalArticle

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