The African-Caribbean Identity and the English Stage

Barnaby King

Research output: Contribution to journalArticle

2 Citations (Scopus)

Abstract

In the first of two essays employing academic discourses of cultural exchange to examine the intra-cultural situation in contemporary British society, published in NTQ 61, Barnaby King analyzed the relationship between Asian arts and mainstream arts in Britain on both a professional and a community level. In this second essay he takes a similar approach towards African-Caribbean theatre in Britain, comparing the Black theatre initiatives of the regional theatres with the experiences of theatre workers themselves based in Black communities. He shows how work which relates to a specific 'other' culture has to struggle to get funding, while work which brings Black Arts into a mainstream 'multicultural' programme has fewer problems. In the process, he specifically qualifies the claim that the West Yorkshire Playhouse provides for Black communities as well as many others, while exploring the alternative, community-based projects of 'Culturebox', based in the deprived Chapeltown district of Leeds.
Original languageEnglish
Pages (from-to)131-136
JournalNew Theatre Quarterly
Volume16
Issue number2
DOIs
Publication statusPublished - 2000

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Africa
Asian Art
Regional Theatre
Art
Leeds
Academic Discourse
Funding
Cultural Exchange
Yorkshire
Playhouse
Workers
Black Art

Cite this

King, Barnaby. / The African-Caribbean Identity and the English Stage. In: New Theatre Quarterly. 2000 ; Vol. 16, No. 2. pp. 131-136.
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The African-Caribbean Identity and the English Stage. / King, Barnaby.

In: New Theatre Quarterly, Vol. 16, No. 2, 2000, p. 131-136.

Research output: Contribution to journalArticle

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