Singing, Sonic Authenticity and Stardom in Dancer in the Dark

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

This chapter analyses Icelandic singer Björk’s singing voice in her performance as Selma in Dancer in the Dark (2000), situated within the context of the Dogma 95 movement’s discourses around ‘truth’, authenticity and filmmaking, with a particular focus on the sonic mediation of Björk’s performance.
Original languageEnglish
Title of host publicationThe Singing Voice in Contemporary Cinema
EditorsHughes Diane, Evans Mark
Place of PublicationSheffield
PublisherEquinox Publishing Ltd
Chapter2
Pages20-37
Number of pages18
ISBN (Electronic)978 1 78179 738 9
ISBN (Print)978 1 78179 112 7
Publication statusPublished - 4 Dec 2020

Publication series

NameGenre, Music and Sound

Keywords

  • Sound
  • Singing
  • Film sound
  • star studies
  • popular music
  • Soundtrack
  • Media
  • Film
  • Gender
  • Performance

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