Abstract
ScreenPlay is a unique interactive computer music system (ICMS) that draws upon various computational styles from within the field of human-computer interaction (HCI) in music, allowing it to transcend the socially contextual boundaries that separate different approaches to ICMS design and implementation, as well as the overarching spheres of experimental/academic and popular electronic musics. A key aspect of ScreenPlay's design in achieving this is the novel inclusion of topic theory, which also enables ScreenPlay to bridge a gap spanning both time and genre between Classical/Romantic era music and contemporary electronic music; providing new and creative insights into the subject of topic theory and its potential for reappropriation within the sonic arts.
| Original language | English |
|---|---|
| Pages (from-to) | 89-105 |
| Number of pages | 17 |
| Journal | Organised Sound |
| Volume | 25 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 1 Apr 2020 |