ScreenPlay: A Topic-Theory-Inspired Interactive System

GEORGE MEIKLE

doi:10.1017/S1355771819000499

ScreenPlay: A Topic-Theory-Inspired Interactive System

GEORGE MEIKLE

Research output: Contribution to journal › Article (journal) › peer-review

2 Citations (Scopus)

152 Downloads (Pure)

Abstract

ScreenPlay is a unique interactive computer music system (ICMS) that draws upon various computational styles from within the field of human-computer interaction (HCI) in music, allowing it to transcend the socially contextual boundaries that separate different approaches to ICMS design and implementation, as well as the overarching spheres of experimental/academic and popular electronic musics. A key aspect of ScreenPlay’s design in achieving this is the novel inclusion of topic theory, which also enables ScreenPlay to bridge a gap spanning both time and genre between Classical/Romantic era music and contemporary electronic music; providing new and creative insights into the subject of topic theory and its potential for reappropriation within the sonic arts.

Original language	English
Pages (from-to)	89-105
Number of pages	17
Journal	Organised Sound
Volume	25
Issue number	1
DOIs	https://doi.org/10.1017/S1355771819000499
Publication status	Published - 1 Apr 2020

Keywords

Human-Computer Interaction
Electronic Music
Max/MSP
Ableton Live
Topic Theory
Max for Live

Access to Document

10.1017/S1355771819000499Licence: CC BY-NC-ND

ScreenPlay: A Topic-Theory-Inspired Interactive System, George Meikle, Organised Sound 25(1)Accepted author manuscript, 2.03 MBLicence: CC BY-NC-ND

Cite this

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ScreenPlay: A Topic-Theory-Inspired Interactive System

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