Abstract
Grounded in Csikszentmihalyi’s flow theory, the focus of this study was to examine the role of flow as a framework for optimizing the practice of risk-taking in the teaching and learning of contact improvisation in higher education, and to better enable students to take the creative, physical and psychological risks associated with that practice. A range of qualitative methodologies were employed including observation, analysis, writing, drawing and focus group discussions. Findings of this study included: establishing shared learning environments, attending to language and tone of delivery, and ensuring the development of scaffolded tasks for trust, non-judgement, optimal experience and pleasure to flourish.
| Original language | English |
|---|---|
| Pages (from-to) | 219-232 |
| Journal | Journal of Dance and Somatic Practices |
| Volume | 6 |
| Issue number | 2 |
| DOIs | |
| Publication status | E-pub ahead of print - 1 Dec 2014 |
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