Abstract
Reflection is fundamental to creative practice. However, the plu-
rality of ways in which people reflect when using AI Generated
Content (AIGC) is underexplored. This paper takes AI-based mu-
sic composition as a case study to explore how artist-researcher
composers reflected when integrating AIGC into their music com-
position process. The AI tools explored range from Markov Chains
for music generation to Variational Auto-Encoders for modifying
timbre. We used a novel method where our composers would pause
and reflect back on screenshots of their composing after every hour,
using this documentation to write first-person accounts showcas-
ing their subjective viewpoints on their experience. We triangulate
the first-person accounts with interviews and questionnaire mea-
sures to contribute descriptions on how the composers reflected.
For example, we found that many composers reflect on future di-
rections in which to take their music whilst curating AIGC. Our
findings contribute to supporting future explorations on reflection
in creative HCI contexts.
rality of ways in which people reflect when using AI Generated
Content (AIGC) is underexplored. This paper takes AI-based mu-
sic composition as a case study to explore how artist-researcher
composers reflected when integrating AIGC into their music com-
position process. The AI tools explored range from Markov Chains
for music generation to Variational Auto-Encoders for modifying
timbre. We used a novel method where our composers would pause
and reflect back on screenshots of their composing after every hour,
using this documentation to write first-person accounts showcas-
ing their subjective viewpoints on their experience. We triangulate
the first-person accounts with interviews and questionnaire mea-
sures to contribute descriptions on how the composers reflected.
For example, we found that many composers reflect on future di-
rections in which to take their music whilst curating AIGC. Our
findings contribute to supporting future explorations on reflection
in creative HCI contexts.
Original language | English |
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Title of host publication | C & C' 24 |
Subtitle of host publication | Proceedings of the 16th Conference on Creativity & Cognition |
Editors | Brian Bailey, Celine Latulipe, Sam Ferguson |
Publisher | Association for Computing Machinery (ACM) |
Pages | 398-412 |
Number of pages | 15 |
ISBN (Print) | 9798400704857 |
DOIs | |
Publication status | Published - 24 Jun 2024 |
Event | C&C ' 24: Creativity and Cognition - Illinois, Chicago, United States Duration: 23 Jun 2024 → 26 Jun 2024 |
Conference
Conference | C&C ' 24: Creativity and Cognition |
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Country/Territory | United States |
City | Chicago |
Period | 23/06/24 → 26/06/24 |
Keywords
- reflection
- ai
- music
- ai music
- qualitative analysis