Abstract
While stand-up comedy is conventionally thought of in terms of liveness and live performance, it is also the case that recorded media – such as radio and television – have a long, intertwined relationship with stand-up. Beginning from a historical perspective, this chapter outlines how recorded comedy media drew on live forms from its inception, taking inspiration from music hall and vaudeville. Recorded stand-up remains a fundamental component of contemporary recorded media, via stand-up specials on platforms such as HBO and Netflix. But the grammar of recorded media offers challenges to the pleasures associated with stand-up – especially in terms of liveness – and this chapter therefore explores the particularities of stand-up on radio and television, and its ongoing relationship to the live forms that predated it and continue alongside it.
| Original language | English |
|---|---|
| Title of host publication | The Cambridge Companion to Stand-Up Comedy |
| Editors | Oliver Double |
| Publisher | Cambridge University Press |
| Chapter | 4 |
| Pages | 83-96 |
| Number of pages | 14 |
| ISBN (Electronic) | 9781009000635, 1316518574 |
| ISBN (Print) | 9781316518571 |
| DOIs | |
| Publication status | Published - 21 Aug 2025 |
Keywords
- liveness
- television
- radio
- stand-up
- sitcom
Research Groups
- Television Studies Research Group