Recorded Stand-Up from Radio to Netflix

BRETT MILLS

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

While stand-up comedy is conventionally thought of in terms of liveness and live performance, it is also the case that recorded media – such as radio and television – have a long, intertwined relationship with stand-up. Beginning from a historical perspective, this chapter outlines how recorded comedy media drew on live forms from its inception, taking inspiration from music hall and vaudeville. Recorded stand-up remains a fundamental component of contemporary recorded media, via stand-up specials on platforms such as HBO and Netflix. But the grammar of recorded media offers challenges to the pleasures associated with stand-up – especially in terms of liveness – and this chapter therefore explores the particularities of stand-up on radio and television, and its ongoing relationship to the live forms that predated it and continue alongside it.
Original languageEnglish
Title of host publicationThe Cambridge Companion to Stand-Up Comedy
EditorsOliver Double
PublisherCambridge University Press
Chapter4
Pages83-96
Number of pages14
ISBN (Electronic)9781009000635, 1316518574
ISBN (Print)9781316518571
DOIs
Publication statusPublished - 21 Aug 2025

Keywords

  • liveness
  • television
  • radio
  • stand-up
  • sitcom

Research Groups

  • Television Studies Research Group

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