Practice as Research: Sonic and Visual Interplay: Copper Vibrations; Glesum and Journal Article: The Placement of Sound in Artistic Contexts

Karen Lauke

Practice as Research: Sonic and Visual Interplay: Copper Vibrations; Glesum and Journal Article: The Placement of Sound in Artistic Contexts

Karen Lauke

Research output: Non-textual form › Digital or Visual Products

Abstract

The audio-visual works explore relationships between 'what is seen and what is heard' (Goebbels, 2009) by examining connections between aural and visual media, using experimental approaches combining sound composition with moving images simultaneously. The projects sought to question whether cinematic techniques can create diachronical musical and visual synchronicity and collisions.

Original language	English
Media of output	Other
Publication status	Published - 2009

1 Article (journal)
1 Exhibition
1 Performance

Glesum
Lauke, K., 2011
Research output: Non-textual form › Exhibition
The Placement of Sound in Artistic Contexts
Lauke, K., 2010, In: Body, Space & Technology Journal. 9, 1
Research output: Contribution to journal › Article (journal)
Copper Vibrations
Lauke, K., 2009
Research output: Non-textual form › Performance

Cite this

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title = "Practice as Research: Sonic and Visual Interplay: Copper Vibrations; Glesum and Journal Article: The Placement of Sound in Artistic Contexts",

abstract = "The audio-visual works explore relationships between 'what is seen and what is heard' (Goebbels, 2009) by examining connections between aural and visual media, using experimental approaches combining sound composition with moving images simultaneously. The projects sought to question whether cinematic techniques can create diachronical musical and visual synchronicity and collisions.",

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Y1 - 2009

N2 - The audio-visual works explore relationships between 'what is seen and what is heard' (Goebbels, 2009) by examining connections between aural and visual media, using experimental approaches combining sound composition with moving images simultaneously. The projects sought to question whether cinematic techniques can create diachronical musical and visual synchronicity and collisions.

AB - The audio-visual works explore relationships between 'what is seen and what is heard' (Goebbels, 2009) by examining connections between aural and visual media, using experimental approaches combining sound composition with moving images simultaneously. The projects sought to question whether cinematic techniques can create diachronical musical and visual synchronicity and collisions.

M3 - Digital or Visual Products

ER -

Practice as Research: Sonic and Visual Interplay: Copper Vibrations; Glesum and Journal Article: The Placement of Sound in Artistic Contexts

Abstract

Fingerprint

Research output

Glesum

The Placement of Sound in Artistic Contexts

Copper Vibrations

Cite this