Introduction: Films without Frontiers

Owen Evans; Elaine Canning

doi:10.1386/seci.4.3.163_2

Introduction: Films without Frontiers

Owen Evans, Elaine Canning

Research output: Contribution to journal › Article (journal)

Abstract

The article discusses several papers published within the issue including one by Cristina Johnston about the fusion of French and American transnational and transatlantic identities in Jean Reno's screen personae and another regarding the problematization of Polish identity and Western relations in the film "Good Bye, Til Tomorrow."

Original language	English
Pages (from-to)	163-166
Journal	Studies in European Cinema
Volume	4
Issue number	3
DOIs	https://doi.org/10.1386/seci.4.3.163_2
Publication status	Published - 2007

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10.1386/seci.4.3.163_2

http://www.intellectbooks.co.uk/journals/view-issue,id=1329/

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title = "Introduction: Films without Frontiers",

abstract = "The article discusses several papers published within the issue including one by Cristina Johnston about the fusion of French and American transnational and transatlantic identities in Jean Reno's screen personae and another regarding the problematization of Polish identity and Western relations in the film {"}Good Bye, Til Tomorrow.{"}",

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language = "English",

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DO - 10.1386/seci.4.3.163_2

M3 - Article (journal)

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VL - 4

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EP - 166

JO - Studies in European Cinema

JF - Studies in European Cinema

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Introduction: Films without Frontiers

Abstract

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