I will leave you now and this loudspeaker will take my place

Nessa Johnston, Anneke Kampman

    Research output: Contribution to journalArticlepeer-review

    55 Downloads (Pure)

    Abstract

    Notions of ‘presence’ and ‘liveness’ run through academic theories and popular conceptions of sound mediation generally, and mediation of voice in particular. This article looks at experimental video that engages with these questions, particularly around the notion of the ‘authentic’ voice and vocal ‘presence’. We will demonstrate how these different experimental approaches explore the interaction between voice, vocal technique and audio-visual technology, thus challenging and interrogating conventions of how the soundtrack represents the voice and (in conjunction with the moving image) the audio-visually mediated body. Presenting Anneke Kampman's work as an experimental practice-led research response to seminal theories of sound and the film soundtrack, we provide further context through engagement with key examples of earlier video art and sound art by Vladan Radovanović, Richard Serra, and Meredith Monk. Overall, the article intervenes by demonstrating how video art and sound art can address key theoretical questions concerning voice and body in a broader sound and moving image context, as well as adopting a sound-focussed approach to aesthetic analysis of video art.
    Original languageEnglish
    Pages (from-to)17-27
    JournalNew Soundtrack
    Volume6
    Issue number1
    Early online date29 Feb 2016
    DOIs
    Publication statusE-pub ahead of print - 29 Feb 2016

    Keywords

    • voice
    • presence
    • timbre
    • synchrony
    • video art
    • experimental film and video

    Fingerprint

    Dive into the research topics of 'I will leave you now and this loudspeaker will take my place'. Together they form a unique fingerprint.

    Cite this