Glesum

Karen Lauke

Glesum

Karen Lauke

Research output: Non-textual form › Exhibition

Abstract

Glesum is an audio-visual compositional work that explores the relationship between what is seen and what is heard. The piece attempts to capture the sound of the mechanical and artistic process of creating glass art and sets out to defamiliarise the familiar using filmed, moving visuals. The symbolic relationship between the audio and visual image relates back to Goebbels' theory of the thing seen / the thing heard in Stifter's Dinge.

Original language	English
Media of output	Other
Publication status	Published - 2011
Event	Glesum - Duration: 1 Dec 2011 → …

Access to Document

http://www.karenlauke.com/2011/12/glesum/

Practice as Research: Sonic and Visual Interplay: Copper Vibrations; Glesum and Journal Article: The Placement of Sound in Artistic Contexts
Lauke, K., 2009
Research output: Non-textual form › Digital or Visual Products

Cite this

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title = "Glesum",

abstract = "Glesum is an audio-visual compositional work that explores the relationship between what is seen and what is heard. The piece attempts to capture the sound of the mechanical and artistic process of creating glass art and sets out to defamiliarise the familiar using filmed, moving visuals. The symbolic relationship between the audio and visual image relates back to Goebbels' theory of the thing seen / the thing heard in Stifter's Dinge.",

author = "Karen Lauke",

year = "2011",

language = "English",

note = "Glesum ; Conference date: 01-12-2011",

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AU - Lauke, Karen

PY - 2011

Y1 - 2011

N2 - Glesum is an audio-visual compositional work that explores the relationship between what is seen and what is heard. The piece attempts to capture the sound of the mechanical and artistic process of creating glass art and sets out to defamiliarise the familiar using filmed, moving visuals. The symbolic relationship between the audio and visual image relates back to Goebbels' theory of the thing seen / the thing heard in Stifter's Dinge.

AB - Glesum is an audio-visual compositional work that explores the relationship between what is seen and what is heard. The piece attempts to capture the sound of the mechanical and artistic process of creating glass art and sets out to defamiliarise the familiar using filmed, moving visuals. The symbolic relationship between the audio and visual image relates back to Goebbels' theory of the thing seen / the thing heard in Stifter's Dinge.

M3 - Exhibition

T2 - Glesum

Y2 - 1 December 2011

ER -

Glesum

Abstract

Access to Document

Fingerprint

Research output

Practice as Research: Sonic and Visual Interplay: Copper Vibrations; Glesum and Journal Article: The Placement of Sound in Artistic Contexts

Cite this