Gaga Gothic

Benjamin A Brabon

Research output: Contribution to journalArticle

Abstract

In this article I examine Lady Gaga’s fusion of Gothic and pop. Focusing on her provocative performances and ‘dark’ lyrics – from the infamous ‘meat dress’ to her debut album The Fame Monster (2009) – I explore Lady Gaga’s use of Gothic tropes and her creative concerns for “what keeps us up at night and what keeps us afraid” (Gaga quoted in Dinh 2009). Within this context, I argue that Lady Gaga deploys and commodifies the Gothic – perhaps most strikingly in The Monster Ball Tour when she was ‘bitten’ vampire-like, causing blood to dramatically spurt from her neck, before ‘dying’ in a pool of blood – in order to craft the performative subject position and musical persona that is Lady Gaga. I contend that Lady Gaga can be located within a ‘Postfeminist Gothic’ tradition as she is the personification of a ‘sexual subject’ who harnesses the trappings of Gothic horror to express her postfeminist subjectivity. Existing within a domain of risk, she seemingly subverts expectation while at the same time conforming to it. In this way, Lady Gaga’s Gothic pop/self provides expressions of the tensions of subject formation in a postfeminist era. For Lady Gaga, Gothic (per)forms a self that individuates as well as others.
Original languageEnglish
Pages (from-to)161-173
JournalTextus: English Studies in Italy
Volume25
Issue number3
Publication statusPublished - 2012

Fingerprint

Gothic
Lady Gaga
Blood
Tropes
Night
Fame
Vampires
Subjectivity
Sexual
Personification
Debut Album
Fusion
Meat
Harness
Dying
Persona
Trapping
Lyrics

Keywords

  • Lady Gaga
  • postfeminist Gothic
  • horror/romance
  • performativity
  • commodification

Cite this

Brabon, B. A. (2012). Gaga Gothic. Textus: English Studies in Italy, 25(3), 161-173.
Brabon, Benjamin A. / Gaga Gothic. In: Textus: English Studies in Italy. 2012 ; Vol. 25, No. 3. pp. 161-173.
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Brabon, BA 2012, 'Gaga Gothic', Textus: English Studies in Italy, vol. 25, no. 3, pp. 161-173.

Gaga Gothic. / Brabon, Benjamin A.

In: Textus: English Studies in Italy, Vol. 25, No. 3, 2012, p. 161-173.

Research output: Contribution to journalArticle

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Brabon BA. Gaga Gothic. Textus: English Studies in Italy. 2012;25(3):161-173.