Fracturing Identities: Crime and Grief in Contemporary South African theatre.

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

This chapter argues for how crime and grief have influenced the sense of fractured identities in post apartheid South African theater. This is contextualized in the broader historical post colonial context.
Original languageEnglish
Title of host publicationFractured Identities in Postcolonial Theatre (Working Title)
EditorsR Gordon, H Carr
Place of PublicationLondon
PublisherPinter Centre
Publication statusAccepted/In press - 1 Jun 2016

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South African Theatre
Crime
Grief

Cite this

Peimer, D. (Accepted/In press). Fracturing Identities: Crime and Grief in Contemporary South African theatre. In R. Gordon, & H. Carr (Eds.), Fractured Identities in Postcolonial Theatre (Working Title) London: Pinter Centre.
Peimer, David. / Fracturing Identities: Crime and Grief in Contemporary South African theatre. Fractured Identities in Postcolonial Theatre (Working Title). editor / R Gordon ; H Carr. London : Pinter Centre, 2016.
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Peimer, D 2016, Fracturing Identities: Crime and Grief in Contemporary South African theatre. in R Gordon & H Carr (eds), Fractured Identities in Postcolonial Theatre (Working Title). Pinter Centre, London.

Fracturing Identities: Crime and Grief in Contemporary South African theatre. / Peimer, David.

Fractured Identities in Postcolonial Theatre (Working Title). ed. / R Gordon; H Carr. London : Pinter Centre, 2016.

Research output: Chapter in Book/Report/Conference proceedingChapter

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BT - Fractured Identities in Postcolonial Theatre (Working Title)

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Peimer D. Fracturing Identities: Crime and Grief in Contemporary South African theatre. In Gordon R, Carr H, editors, Fractured Identities in Postcolonial Theatre (Working Title). London: Pinter Centre. 2016