Abstract
This chapter argues for how crime and
grief have influenced the sense of
fractured identities in post apartheid South
African theater. This is contextualized in
the broader historical post colonial context.
| Original language | English |
|---|---|
| Title of host publication | Fractured Identities in Postcolonial Theatre (Working Title) |
| Editors | R Gordon, H Carr |
| Place of Publication | London |
| Publisher | Pinter Centre |
| Publication status | Accepted/In press - 1 Jun 2016 |
