This chapter argues for how crime and grief have influenced the sense of fractured identities in post apartheid South African theater. This is contextualized in the broader historical post colonial context.
|Title of host publication||Fractured Identities in Postcolonial Theatre (Working Title)|
|Editors||R Gordon, H Carr|
|Place of Publication||London|
|Publication status||Accepted/In press - 1 Jun 2016|
Peimer, D. (Accepted/In press). Fracturing Identities: Crime and Grief in Contemporary South African theatre. In R. Gordon, & H. Carr (Eds.), Fractured Identities in Postcolonial Theatre (Working Title) Pinter Centre. http://www.gold.ac.uk/pinter-centre/