Abstract
A critical study of the revolutionary documentaries of the Japanese non-fiction filmmakers Tsuchimoto Noriaki and Ogawa Shinsuke, tracing their methodological practices and their singular approaches to documentary aesthetics and representation.
Original language | English |
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Pages (from-to) | 166-175 |
Journal | Asian Cinema |
Volume | 20 |
Issue number | 1 |
DOIs | |
Publication status | Published - Sept 2009 |