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Femicide, revenge and victim-blaming in pop songs: 'I loved her so much I had to kill her’

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

This chapter considers the similarities in the narratives of popular songs and ballads and real-life violence against women, whether that is femicide, violence and abuse or coercive and controlling behaviours (CCB). The criminal defences pleaded by men who have murdered or seriously harmed their (ex) partners have parallels to these musical tales that have been recounted for hundreds of years. Through an analysis of historical ballads and contemporary popular music, this chapter reveals how cultural storytelling continues to romanticise, rationalise, or potentially glorify gendered violence, thereby reinforcing harmful societal norms. In considering these enduring narratives, the chapter challenges readers to reconsider the role of music in shaping public perceptions of accountability, victimhood, and justice.
Original languageEnglish
Title of host publicationThe Palgrave Handbook of Violence Against Women and Girls
EditorsLoretta Trickett, Irene Zempi, Jo Smith
Place of PublicationBasingstoke
PublisherPalgrave Macmillan
Chapter17
Edition1st
Publication statusAccepted/In press - 14 Dec 2025

Publication series

NamePalgrave Handbooks
PublisherPalgrave Macmillan

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

  1. SDG 5 - Gender Equality
    SDG 5 Gender Equality
  2. SDG 10 - Reduced Inequalities
    SDG 10 Reduced Inequalities
  3. SDG 16 - Peace, Justice and Strong Institutions
    SDG 16 Peace, Justice and Strong Institutions

Keywords

  • music
  • femicide
  • violence
  • controlling or coercive behaviour
  • criminal defences

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