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This article focuses on how the development of human-computer interaction in music has been aided and influenced by both experimental/academic electroacoustic art music and popular electronic music. These two genres have impacted upon this ever-changing process of evolution in different ways, but have together been paramount to the establishment of interactivity in music as we understand it today; which is itself having wide-ranging implications upon the modern-day musical landscape as a whole - both in the way that we, as listeners and audience members, purchase and consume music as well as conceptualise and think about it.
|Number of pages||18|
|Journal||Contemporary Music Review|
|Early online date||15 Sept 2016|
|Publication status||Published - 15 Sept 2016|
- Brain–Computer Interfacing
- Digital Audio Workstation
- Graphical User Interface
- Human–Computer Interaction
- Interactive Computer Music System
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- 1 Editorial work
Contemporary Music Review (Journal)
GEORGE MEIKLE (Reviewer)2016
Activity: Publication peer-review and editorial work types › Editorial work