Activities per year
Abstract
This article focuses on how the development of human-computer interaction in music has been aided and influenced by both experimental/academic electroacoustic art music and popular electronic music. These two genres have impacted upon this ever-changing process of evolution in different ways, but have together been paramount to the establishment of interactivity in music as we understand it today; which is itself having wide-ranging implications upon the modern-day musical landscape as a whole - both in the way that we, as listeners and audience members, purchase and consume music as well as conceptualise and think about it.
Original language | English |
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Pages (from-to) | 224-241 |
Number of pages | 18 |
Journal | Contemporary Music Review |
Volume | 35 |
Issue number | 2 |
Early online date | 15 Sept 2016 |
DOIs | |
Publication status | Published - 15 Sept 2016 |
Keywords
- Brain–Computer Interfacing
- Digital Audio Workstation
- Graphical User Interface
- Human–Computer Interaction
- Interactive Computer Music System
- User-Interface
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Activities
- 1 Editorial work
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Contemporary Music Review (Journal)
GEORGE MEIKLE (Reviewer)
2016Activity: Publication peer-review and editorial work types › Editorial work