Abstract
The article discusses various reports published within the issue, including one by Elena Lombardi on the influence of Karl Marx and Sigmund Freud to the narrative arrangement of "Bicycle Thieves," one by Paul Sutton concerning Nanni Moretti, the contemporary director, and one by Franco Manai regarding "Pinocchio," by Roberto Benigni relative to its reception to the U.S.
| Original language | English |
|---|---|
| Pages (from-to) | 93-96 |
| Journal | Studies in European Cinema |
| Volume | 6 |
| Issue number | 2/3 |
| DOIs | |
| Publication status | Published - 2009 |