Abstract
Earth Sample Synthesis is a durational, installation based and (eventually) sculptural composition for earth samples, field recordings and synthetic sound that borrows in various ways from the work of Douglas Huebler, Pauline Oliveros and Robert Smithson.
Slowly evolving in realtime an otherwise hermetic circuit comprising playback of field recordings and sound synthesis is opened up to the earth, to environmental contingencies through the insertion of earth samples into the electronic circuit driving the piece.
A vide lecture presenting the artistic and conceptual context for the work was presented at the conference, as well as a performance of the piece on a reduced scale due to lockdown measures in place at the time.
Slowly evolving in realtime an otherwise hermetic circuit comprising playback of field recordings and sound synthesis is opened up to the earth, to environmental contingencies through the insertion of earth samples into the electronic circuit driving the piece.
A vide lecture presenting the artistic and conceptual context for the work was presented at the conference, as well as a performance of the piece on a reduced scale due to lockdown measures in place at the time.
Original language | English |
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Publication status | Published - 17 Apr 2021 |
Event | Vibrant Practices: Material agency and performative ontologies - University of Leeds, Leeds, United Kingdom Duration: 16 Apr 2021 → 17 Apr 2021 https://forkingpaths.leeds.ac.uk/symposium/ |
Conference
Conference | Vibrant Practices |
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Abbreviated title | Vibrant Practices |
Country/Territory | United Kingdom |
City | Leeds |
Period | 16/04/21 → 17/04/21 |
Internet address |
Keywords
- Electronic Music
- Composition
- Synthesis