Abstract
The author examines the turn-of-the-century debate over prison reform by closely analyzing Richard Marsh's short story "For Debt" (1902). The story presents a powerful critique of imprisonment in a guise acceptable to Marsh's lower-middleclass readership. By blurring the boundaries of fiction, prison autobiography, and investigative journalism, the story further highlights the entertainment value of these genres in the early 1900s.
Original language | English |
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Pages (from-to) | 17-26 |
Journal | Clues A Journal of Detection |
Volume | 25 |
Issue number | 4 |
DOIs | |
Publication status | Published - 1 Aug 2007 |
Keywords
- Bernard Heldmann
- Richard Marsh
- prison narrative
- prison reform