By the 1970s, arts funding for theatre in Ireland had become concentrated in three organizations: the Abbey and the Gate in the Republic, the Lyric Theatre in Northern Ireland. Changes in arts policy, North and South, beginning in the late 1970s, radically transformed the Irish theatre landscape over the following decades. Many of the most exciting and challenging developments in Irish theatre in the 1980s and 1990s thus came from the margins, whether on the social margins of society (such as work done at the the Axis Theatre in Ballymun) or from the geographical periphery of what had been a theatre culture centred in Dublin, in the work of companies such as Red Kettle in Waterford and in the construction of performance spaces around the island. 'As We Must' provides an overview of this transformation of the Irish theatre world, focusing on the policy decisions that lay behind it.
|Title of host publication||The Oxford Handbook of Modern Irish Theatre|
|Editors||Nicholas Grene, Chris Morash|
|Place of Publication||Oxford|
|Publisher||Oxford University Press|
|Number of pages||800|
|Publication status||E-pub ahead of print - 7 Sep 2016|
Merriman, V. (2016). ‘As We Must’: Growth and Diversification in Ireland’s Theatre Culture 1977–2000. In N. Grene, & C. Morash (Eds.), The Oxford Handbook of Modern Irish Theatre Oxford University Press. http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780198706137.001.0001/oxfordhb-9780198706137-e-25?rskey=f5aKA7&result=1