Abstract
A critical analysis of images of the apocalypse, death and finality in the work of the Swedish auteur Ingmar Bergman, tracing personal, national and cinematic paradigms.
| Original language | English |
|---|---|
| Title of host publication | The End: An Electric Sheep Anthology |
| Editors | Virginie Selavy |
| Place of Publication | London |
| Publisher | Strange Attractor Press |
| Pages | 236-250 |
| Number of pages | 300 |
| ISBN (Print) | 9781907222023 |
| Publication status | Published - 2011 |