Apocalypse Now: Images of The End in the Cinema of Ingmar Bergman

Adam Bingham

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

A critical analysis of images of the apocalypse, death and finality in the work of the Swedish auteur Ingmar Bergman, tracing personal, national and cinematic paradigms.
Original languageEnglish
Title of host publicationThe End: An Electric Sheep Anthology
EditorsVirginie Selavy
Place of PublicationLondon
PublisherStrange Attractor Press
Pages236-250
Number of pages300
ISBN (Print)9781907222023
Publication statusPublished - 2011

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Paradigm
Critical Analysis
Finality
Cinema
Ingmar Bergman
Apocalypse
Auteur

Cite this

Bingham, A. (2011). Apocalypse Now: Images of The End in the Cinema of Ingmar Bergman. In V. Selavy (Ed.), The End: An Electric Sheep Anthology (pp. 236-250). London: Strange Attractor Press.
Bingham, Adam. / Apocalypse Now: Images of The End in the Cinema of Ingmar Bergman. The End: An Electric Sheep Anthology. editor / Virginie Selavy. London : Strange Attractor Press, 2011. pp. 236-250
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Bingham, A 2011, Apocalypse Now: Images of The End in the Cinema of Ingmar Bergman. in V Selavy (ed.), The End: An Electric Sheep Anthology. Strange Attractor Press, London, pp. 236-250.

Apocalypse Now: Images of The End in the Cinema of Ingmar Bergman. / Bingham, Adam.

The End: An Electric Sheep Anthology. ed. / Virginie Selavy. London : Strange Attractor Press, 2011. p. 236-250.

Research output: Chapter in Book/Report/Conference proceedingChapter

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Bingham A. Apocalypse Now: Images of The End in the Cinema of Ingmar Bergman. In Selavy V, editor, The End: An Electric Sheep Anthology. London: Strange Attractor Press. 2011. p. 236-250