Absolutely Nothing

WILLIAM SCHRIMSHAW

Research output: Non-textual form › Performance

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Abstract

Absolutely Nothing combines improvisational and algorithmic approaches to musical composition. Created entirely in SuperCollider, the sounds used in this piece attempt to create a contrast between concrete, organic and synthetic textures. Dynamic percussive and noise based sounds are contrasted with clearly tonal content vacillating between the melancholic and optimistic. The piece draws upon a range of sounds and textures common to both avant-garde and exploratory forms of popular electronic music.
Original languageEnglish
Place of PublicationBirmingham
Media of outputAudio file
Size23.9 MB
Publication statusPublished - 4 May 2019
EventBEAST FEaST: fast-forward rewind - Birmingham University, Birmingham, United Kingdom
Duration: 2 May 2019 → 4 May 2019
http://www.beast.bham.ac.uk/beast-feast-2019/concerts/

Fingerprint

Sound
Texture
Electronic music
Tonal
Musical Composition
Avant Garde

Keywords

  • Algorithmic Composition
  • Electroacoustic Music
  • Electronic Music
  • Open source software
  • Improvisation
  • Performance

Cite this

SCHRIMSHAW, WILLIAM. (Author). (2019). Absolutely Nothing. Performance, Birmingham: .
SCHRIMSHAW, WILLIAM (Author). / Absolutely Nothing. [Performance].
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keywords = "Algorithmic Composition, Electroacoustic Music, Electronic Music, Open source software, Improvisation, Performance",
author = "WILLIAM SCHRIMSHAW",
year = "2019",
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SCHRIMSHAW, WILLIAM, Absolutely Nothing, 2019, Performance, Birmingham.
Absolutely Nothing. SCHRIMSHAW, WILLIAM (Author). 2019. Birmingham : Event: BEAST FEaST, Birmingham University, Birmingham, United Kingdom.

Research output: Non-textual form › Performance

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SCHRIMSHAW WILLIAM (Author). Absolutely Nothing Birmingham: . 2019.

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