Arts and Humanities
Frankenstein
100%
Films
66%
Gothic
60%
Genre
60%
Corporeality
60%
Cultural Users
60%
Dynamics
50%
Filmic Representations
50%
Wes Anderson
50%
Animality
50%
War Horse
50%
Horror
40%
Binary Opposition
33%
Parody
30%
insistence
20%
Negation
20%
viewer
20%
Membership categorization analysis
16%
sack
16%
Performativity
16%
Anthropocentric
16%
Imposition
16%
Semiotics
16%
Motion
12%
Technique
12%
Implied reader
10%
Costruzione
10%
Close relationships
10%
Film adaptation
10%
dialogo
10%
Intertextual Dialogue
10%
Mary Shelley
10%
Tema
10%
trilogy
10%
Twentieth Century
10%
Scholars
10%
comedies
10%
READER-RESPONSE CRITICISM
10%
Popular
10%
Common ground
10%
Keyphrases
Spectator Experience
50%
Mel Brooks
50%
Isle of Dogs
50%
Sauvages
50%
Frankenstein
50%
Queer Identity
50%
Wes Anderson
50%
Animal Characters
50%
Media Scholars
50%
Semiotic Strategy
50%
Power Asymmetry
50%
Horse Performance
50%
Material Implication
50%
Human-animal Boundary
50%
Stop Motion
25%
Queer Theory
25%
Motion Technique
25%
Human Society
25%
Dynamic Interaction
20%
Identity Categories
16%
Art Product
16%
Meaning Construction
10%
Perry
10%
Implied Reader
10%
Film Parody
10%
Reader-response Criticism
10%
Target Text
10%
Horror Genre
10%
Centrale
10%
Parody
10%
Dialogo
10%
Degree of Knowledge
10%
Film Adaptation
10%
Gothic Horror
10%
Transmedia
10%
20th Century
10%
Adaptation
10%
Corporeality
10%
